Alex Ross’s “Wagnerism: Art and Politics in the Shadow of Music,”
In Wagner’s operas, sums up Ross, “we see the highest and the lowest impulses of humanity entangled.” In “Wagnerism,” however, those impulse — aesthetic, sexual, philosophical and political — are deftly untangled, then enticingly presented for the general reader. The result is a superb example of cultural history and, given its themes, a work surprisingly relevant to this plague-ridden, watershed year.
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